Wrist Sanskrit Tattoo Designs

Sanskrit is an ancient language dated to 1500 BC. While not actually dead, it has been reserved for religious use for many centuries. However, this language has lately seen renewed interest in the form of Sanskrit tattoo designs. Sanskrit tattoos are very flexible and can be found anywhere on the body. The wrist, biceps, shoulders and lower back are some of the most popular places to find these beautiful tattoo images.

Are Sanskrit tattoo designs a recent Western phenomenon, or did the ancient Indians already have such tattoos? On the surface, it seems unlikely because Hinduism bans tattoos – much the same case as any other major religion, actually. But we also know that many other ancient cultures also made tattoos taboo – but they still infiltrated those societies. The Greeks, Romans, Japanese and Chinese come to mind. In addition, henna temporary tattoos have been a part of life in India and the Middle East for many centuries, often used by women during celebrations.

Surveys done in the US suggest that 17% of the population have a tattoo. Obviously, this number would be bigger among the younger generation. While you still wouldn’t expect a banker or lawyer to have a tattoo, you can’t really tell what he has hidden under that suit, can you?

How Tattoos Become Popular

There are several reasons why tattoos have become popular. In the past, the tattooing process was not very hygienic and often took place in a disreputable looking dive. One look at the stained needles and chain-smoking bearded tattoo johnny and most prospective customers run away. Now you have clean-cut tattoo artists in brightly lit studios doing the job. When you step in, you will see autoclaves and other gleaming pieces of technology for sterilizing the tattoo equipment. The artist appears thoroughly professional and uses new needles for each customer. The experience of getting a tattoo becomes indistinguishable from that of getting a hair cut or beauty makeover.

The internet is another big reason. It lets people find out anything. People can find out about the actual tattooing process and are no longer subject to fear, uncertainty and doubt. They can make up their minds beforehand, whether or not a tattoo is right for them, what kind of tattoo to get – Sanskrit tattoos, Celtic crosses, tribal tattoos, etc.

As always, whenever something in society changes, Hollywood plays a part. People see movie stars with tastefully done tattoos and the perception starts changing. No longer are tattoos inextricably linked to punks and gangsters. Certainly not when the newspapers feature superstar Angelina Jolie on their front page saving yet another orphan child and showing off her tattoos. Other Hollywood stars with tattoos are Jessica Alba with a Sanskrit lotus flower tattoo on her wrist and Gillian Anderson with a Sanskrit word tattoo saying “everyday”.

Wrist Tattoos In Sanskrit

In general, wrist tattoos don’t give you much room to work. Space is a bit limited – you can only have a tattoo on top, on the inside or encircling your wrist.

For a tattoo going around your whole wrist, the best Sanskrit tattoo designs choose a single symbol and repeat it. Sanskrit symbols are really good for this – most of them have a bar on top and are curved below. That means you can link up all the bars into a slim armband or permanent bracelet.

For the top of your wrist or the inside of your wrist, an Om symbol looks good. Sanskrit is actually a spoken language, so it has several different writing systems. In most of these writing systems, Om looks pretty darn cool – and it is a powerful mystic symbol as well. Om is one of the sounds which created the universe, and the written symbol for Om also represents the Hindu God Wisdom and Success, Ganesha.

Another popular alternative to Om is the Sanskrit lotus flower, Padma. This is a brightly colored symbolic image that looks like a Mandala. Padma represents both death and rebirth as well as rising up above the madding crowd.

You have many different choices of Sanskrit tattoo designs for your wrist. What you pick is a reflection of your spirit and sense of fashion.

History Of Fashion Ancient Rome

The legend tells that Rome was founded on April 21, 753 BC, by the twin sons of Mars, Romulus and Remus. Romulus killed his brother over the throne and became the sole ruler of Rome. He reigned until 715 BC, when he was succeeded by Numa Pompilius, the founder of Roman law and its religious practices.

With time, Roman power, influence and territory grew to unprecedented proportions in the ancient world. By the end of the Republic (31 BC), Rome controlled the entire Mediterranean. They defeated their most powerful rivals, the Carthaginians, and took over many of the lands ruled by the Greeks, including Egypt. Although, eventually ancient Rome was sacrificed at the altar of its own internal struggles for power, it was not before it had written its name under one of the most important periods in humankinds history. Two thousand years later, ancient Rome remains an endless inspiration of art, culture, architecture, and even fashion.

Costume
Roman costume was influenced by the styles of previous civilizations, such as the Etruscans and the Greeks, and also reflected the dress of conquered peoples, although in a lesser degree. It comprised two main categories: indutus, items that were put on, and amictus, clothing wrapped or draped around the body.

The wide range of climates that existed within the vast Roman Empire led to the creation of the seasonal dressing concept. Dress was adapted to the specific seasons and weather conditions.

Women’s clothing
Womens clothes were made of light materials and in a variety of colors, which set them apart from mens clothes. Also, unlike mens dress, womens clothes changed little. The primary garment was the stola, a long tunic with full sleeves. It was made from wool, cotton or linen, with the more expensive designs made from silk. The stola was worn with a girdle known as cingulum and a wide belt, known as a succinda. With the help of these, women achieved to create a double-bloused effect. Under the stola women wore a bust bodice – the strophium, and a sleeveless shift dress – the subucula.

Roman matrons wore wide tunics, pleated into tiny folds, which were held together at the shoulder by a series of buttons along the sleeve.

The palla was a warm piece of cloth with a hood, fastened with a clasp. Another outer garment was the sapparum, worn by women of the upper class, which had short sleeves, and the olicula, which basically was a short cape.

Men’s clothing
In the early days of the Republic, Roman men wore a simple linen loincloth known as the subligaculom or licinium. By the time of the empire, only athletes and workmen were permitted to wear loincloths. Romans, unlike the Greeks, were not tolerant of nudity. They did, however, inherit from them their two main garments: the tunic and the cloak. The basic short-sleeved tunic consisted of two pieces of wool cloth joined at the shoulders and down the sides, with slits for the head and arms. It was gathered at the waist with a belt, but could also be worn with a girdle.

There were different tunic styles for different occasions and social ranks. Magistrates wore the Tunica angusti clavi, which had two narrow purple stripes on each shoulder. The Tunica laticlavia, worn by senators, featured wider purple stripes. Made from purple silk and embroidered with gold thread, the Tunica palmata was worn by victorious generals. It consisted of two pieces and was worn together with the Toga picta. There were also other tunics, such as the Tunica recta, the Subucula and Tunica exteriodum, and the Caracaila.

The most important mantle was the toga, which was descended from the Greek himation and the Etruscan tebenna. The draped, elliptically shaped woolen piece of fabric was reserved for Roman citizens; slaves, foreigners, and lower classes were forbidden from wearing it. The toga’s decoration, color and shape denoted the wearer’s social rank. As did the manner in which the toga was draped.

The different forms of togas included the Toga picta, which signified victory and was worn by Roman generals on specific occasions. This toga was property of the state and only loaned to generals for ceremonial wear. Another toga was the Toga candida, which was worn by candidates for public office. Mourners wore the Toga pulla, which was either black, dark brown or gray, and had a head cover. The solid purple Toga trabea was worn by spiritual men. The same toga with purple and crimson stripes was reserved for the augurs or omens interpreters, while the purple and white one revealed the rulers of the Republic.

With the expansion of the Empire, Rome came to include in its territories much of northern Europe, which translated into harsher climatic conditions. Warm outer garments became a necessity. The Roman wardrobe included the sagum – a blanket-like wrap, taken from the Gauls; the lacerna, a rectangular piece of wool, draped over the shoulders, which had to be fastened with a clasp; the pallum or womens palla was a short rectangular cloak, influenced by the Greek himation; the paludanentum, was an enlarged version of the Greek chlamys, worn by Roman generals.